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Review: Police Beat

RECOMMENDED There is a brooding beauty and quotidian peculiarity to Robinson Devor’s widescreen “Police Beat,” co-written by The Stranger critic and crime-blotter reporter Charles Mudede. “Police Beat”...

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Review: Iowa

“Requiem for a Pretension”? Well, I guess movies about meth and crank in the heartland ought to be ugly as sin, or uglier than “Spun,” and the DV-inflected hallucination-degradation fest “Iowa” (2005)...

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Review: Idlewild

RECOMMENDED Bryan Barber’s oft-magical Prohibition in the South-set Outkast musical, “Idlewild,” is a dynamic feast of anachronisms and heartfelt investment in older styles of storytelling—cliché,...

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Review: Michael Clayton

RECOMMENDED After writing three Jason Bourne screenplays, screenwriter Tony Gilroy directs “Michael Clayton,” his first drama. His title character (George Clooney, also an executive producer) is a...

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Review: We Own The Night

RECOMMENDED Autumn is upon us if the sere, severe, serious likes of “The Assassination of Jesse James by The Coward Robert Ford” and James Gray’s brutal, assured third feature, “We Own The Night” are...

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Review: The Assassination of Jesse James By The Coward Robert Ford

RECOMMENDED Simmering and brooding and hinting and teasing and taunting are not to every taste; some of the early reviews of Andrew Dominik’s follow-up to his thematically similar, but more jagged...

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Review: Gone Baby Gone

RECOMMENDED “I always believed it was the things you didn’t choose that make you who you are,” narrates young private investigator Patrick (Casey Affleck, “The Assassination of Jesse James By the...

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Review: American Gangster

RECOMMENDED Screenwriter Steven Zaillian (“Schindler’s List,” “All The King’s Men”) crafts a solid old-school saga of the all-American rise and fall of an African-American entrepreneur. How old? The...

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Present tension: What a gas it is getting old with Sidney Lumet

By Ray Pride What’s the old saying? Keep your enemies closer but fuck your brother in the ass? Actually, the more modest old saying that applies to Sidney Lumet’s masterful thriller contains its title:...

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Review: Snowman’s Land

RECOMMENDED Stylish sardonic northern European miserabilism of a pleasing if lowwww-key order is much in display in Tomasz Thomson’s “Snowman’s Land” (2010), a grumpy assassin-on-the-run tale that...

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Review: Jackpot

RECOMMENDED “Jackpot” (Arme Riddere, 2011) is capable, candy-colored, often giddily gruesome Euro-action from Norway, replete with lottery winnings, double-crosses, discreet vivisection and a shootout...

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Interview Flashback: Quentin Tarantino Talks “Jackie Brown” And Quentin...

By Ray Pride Everyone who exposes themselves to the drizzle of publicity and movie lore and personalities on parade knows that Quentin Tarantino is an excitable boy. What’s new and notable is the calm...

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Review: Idlewild

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Review: Michael Clayton

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Review: We Own The Night

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Review: The Assassination of Jesse James By The Coward Robert Ford

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Review: Gone Baby Gone

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Review: American Gangster

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Present tension: What a gas it is getting old with Sidney Lumet

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Review: Snowman’s Land

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